The Boston BeauTease Do It Again 2/2/18

Dear Constant Reader,

This past Friday we were performing at Deacon Giles Speakeasy Lab in Salem. It’s a small space, so we do two shows, an early and a late. As usual for us, there aren’t any performance photos or video, alas.

Since it was Groundhog Day, Scratch had a fun idea for the show. Every act ended with a snippet of “I Got You Babe” and then Scratch went into his introduction. The same introduction every time. Perhaps a bit more frantic or frustrated or bored, as the evening went on. That was the obvious reference. I’ll see if you can figure out the more subtle one.

  • Betty Blaize: “Harlem Nocturne” (Les Brown)
  • Artemisia Vulgaris: “Love Potion No. 9” (Artemisia singing)
  • Mina Murray: “Die Moritat von Mackie Messer” (Ute Lemper)
  • Brigitte Bisoux: “Night Train” (Harry Zimmerman)
  • Devastasia: “Tombstone Blues” (Johnny Staccato)
  • Scratch: Magic
  • Mina Murray: “Harlem Nocturne” (Sam Taylor and His All-Stars)
  • Devastasia: “Love Potion No. 9” (Herb Alpert and His Tijuana Brass)
  • Artemisia Vulgaris: “Mack the Knife” (Bobby Darren)
  • Betty Blaize: “Night Train” (Alvino Rey)
  • Brigitte Bisoux: “Tombstone Blues” (Ronnie Magri and His New Orleans Jazz Band)
  • Did you get it? Do you see what we did there? Each half of the show was the exact same set of songs, only different arrangements and very different styles of acts. We’re so clever.

    We’re also so clever in that the plan was that everyone would use one existing act and create one new one. It turned out that I used two existing numbers, because Artemisia was so in love with “Mack the Knife” (I use the German version), while she created one new act and learned a song.

    We had some fun and excitement backstage. Just before the doors opened, Brigitte was getting out her pasties for “Tombstone Blues” and being a little smug that she only had to put on one pair for the whole evening, since “Night Train” was a tap dance with no stripping. Then one of the tassels just exploded into it’s component strands. Yikes! What to do?

    First we realized that Betty had a pair of tasseled pasties that would match Brigitte’s outfit, but she was wearing them for one of her numbers. However, since Betty was wearing them for the first act and Brigitte would need them to close the show, there would be plenty of time for a hand-off. Then Betty asked if I had black thread in my emergency kit (yes) and said she had repaired tassels before. Before the second show, that tassel was good as new and ready to be twirled!

    In Betty’s version of “Night Train”, she’s a computer geek who gets super excited about technology. At the climax, she rips off her t-shirt. She forgot to pack a second shirt for the later show, but Deacon Giles provided her (and the rest of us) with shirts.

    Guilted Lily, our favorite stage kitten, came all the way from RI to help out and insisted on wearing the torn shirt *and* having Betty sign it and then her boobs. You can see it happen right here:

    And here’s a bonus picture of Lily wearing Scratch’s hat & jacket. I think it’s no contest — she wore it better!

    After the show we hung out and had marvelous cocktails with the staff. Mine was a simple mulled cider with spiced rum.

    We’ll probably be back in a couple of months. If you want to see us sooner than that, we’ll be at the Mardi Gras Ball on Saturday with a brand-new group number and I’ll be reprising my fan dance from this show.

    M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.